JACK LONDON AS A LITERARY CRITIC

Linguistics and literature: stylistics as a tool for the literary critic

Since the emergence in the 1960s of English Language as a university subject in its own right, the relationship between the study of literature and the study of language has often been one of bitter rivalry. Literary critics have railed against the ‘cold’, ‘scientific’ approach used by scholars of language in their analyses of literary texts, whilst linguists have accused their literary colleag...

The Title of a Literary Text as a Discursive Phenomenon

Modern text linguistics pays serious attention to the significant structural elements of the text, which carry special knowledge. Such structural elements include the title. In this article, the title is considered as a linguistic and cognitive characteristic and a spatially fixed structural element of the text – «frame», which is located around/before/behind the text, focusing on the importanc...

Introduction: The Fantastic as a Literary Genre

A critic-critic architecture to combine reinforcement and supervised learnings

In real life, learning is greatly speeded-up by the intervention of a teacher who gives examples, or shows, how to perform a certain task. In all this abstract, we let apart structural simpli cations of the problem by the designer which to not deal explicitely with learning. The intervention of the teacher can be realized in di erent ways: verbal explanation, demonstration, guidance, shaping th...

Revelation 5 and 19 as Literary Reciprocals

My colleague Kenneth A. Strand and I have published previously in A USS two studies on the literary form of Rev 18.' In those two studies, that chapter was found to be a discrete literary unit consisting of seven hymns of judgment upon the impure woman of the prophecy, called "Babylon the Great." These seven hymns are distributed in chiastic order according to both their form (Shea) and their t...